two new house tracks from san proper on the enterprising studio soulrock label! warm up your engines to the sound of san proper! after capturing the hearts, minds and ears of audiences worldwide with his celebrated hupsers & kletsers for life ep, san is back to rock your world with a studio soulrock solo. taking his field recorder on a journey through sound to capture those ever-elusive imperfect harmonies, he has crafted a thrilling, spherical release. proper properly prompts you to dance!

haunting, post-house deconstruction from russian outsider neotnas. >that day< is vocal dance music for lost souls, disparaging practical compromise and sunny chord progressions for a bones-bare, ruthlessly sincere interrogation of hopelessness, apathy and ultimate transcendence. suppressed waves of orchestral melancholia pass through entrancing heroin-paced percussive mechanics, unveiling the cavernous sprawl of neotnas masterful production. casting an icy shadow of depth and despair that is not easily shaken, four by fog lends his unexpectedly beautiful vocals to the project, proving the axiom >if you dont have the key, just break the lock<.

since slice of life, his last ep release on moon harbour, dan drastic has been anything but idle.hes released on luna records and rrygular and contributed several tracks to the moon harbour compilations ten years of moonharbour and moon harbour joints vol. 2. since october 2011 he has been taking turns with luna city express at hosting the moon harbour radio show and is still an essential part of the moon harbour labelflights at the leipzig distillery. he is ringing in 2012 with an eclectic ep. the title track,noodle stories,as well as the track lospollos hermanos,are perfect for the time between warmup and peak in the club: they are deep but have more thanenough energy to get the dance floor moving. martin buttrich takes a more minimal approach in his remix ofnoodle stories,transforming the track into a subtle techhouse stomper.with fish fingers and custard, dandrastic shows his rave side. the groove of the track is dense and driving and reaches its climax through an utterlyeffective chord sequence. free download voucher for all vinyl tracks incl. in the first 500 copies!

> music is being passed, inhaled, and expelled into nothingness. in order to fight the nonexistence of music we need to get those round plastic archives back into our hand< as you understood those archives are vinyls…the only way to keep the music alive in our head and soul through our hands, as ricardo said…and you know how much we care about that! miranda first ep on bosconi will be probably one of his last on any other label before he starts his brand new imprint. after releasing on some of the most respected techno/house label of the globe, as neroli, rush hour and reincarnation, rm doesn&#700,,t need further introductions…so we&#700,,ll quickly tell you that here you get a three tracker of pure raw analogue pleasure and proper dancefloor goodness including the bouncy acid house groover >state of mind<, the dry, nasty and minimilastic chicago rooted drum tool track called > drum with the funk<, and in the end the peaceful, dreamy and atmospheric trip of > no sound<….all the necessary ingredients for you to not leave this record out of your bag! vinyl will save our soul

as a debut 12inch release for both dj marfox and principe, >eu sei quem sou< (i know who i am) is the best title we could hope for our collective present & future intentions. it is what marfox has always made clear to us through his work - a unique vision of technological, artistic and civic advancement. everything is about having your code, knowing where you come from, about the way in which he s chosen to progress through his music.

organs of love are the power-sleaze duo of james mckinven (organs, love) and alicia matthews (vocals, love). james mckinvens musical odyssey started with playing synth in (kraftwerk, suicide-inspired) electro band berlin blondes. he then moved on to altered images. after that he worked in genetic studios learning from the modern day genius that was producer martin rushent (human league, the stranglers, the buzzcocks). then went on to form one dove and worked with maverick genius andy weatherall. after that he drifted back to where it all started, analog electro, and miss alicia matthews. alicia matthews has quite a different background – one from fine art and performance. through working together at the same bar and having many intoxicating late night chats, they decided to try to get back to a 70s theatrical, musical performance: where live music and art combine for something beyond the rock gig vibe. and luckily enough, miss matthews has quite the pair of pipes – a true vocal delight. the result is organs of love … who frequently perform live around glasgow and have quite the reputation of thee band to see. videos can be provided, but they are not for the faint-hearted! not that optimo music ever provide a dull moment …

for the inside job ep, beat pharmacy leaves dub in the background, taking things in a more straight ahead house and techno direction. percussive without being oppressively banging, melodic without excessive nooding, tracks like >inside job< and >comet< nevertheless retain the intense attention to subtle detail that define moellers more dubwise productions. >in a trance in france< takes things into a deeper more hypnotic realm, and >hootin & tootin< toughens things up with an ominous analog bassline and thunderous kick drums sure to ignite a mainroom dancefloor. yet even here, echoes and melodic elements sweep through the mix, lest you forget who was working the boards.

one year ago digitaline has released raouls very first release. it has been one of their most successful eps so far and both tracks instantly found their audience and brought raoul onto the main floors of the entire world, where it still stands confortably one year later. so what better than to celebrate one year of the label and welcome digitaline back home? same format: two tracks of deep techno, fat grooves and aerial melodies made for the dance floor. almost made on the dance floor. true! digitaline’s sound is always very inspired by their live performances and with those two tracks the boys wonderfully managed to transpose the best of their live skills, energy and dynamic. before finally being released here, both tracks have been played live on many floors throughout 2011, adjusted slowly set after set to touch every soul listening. a-side neon is a massive groove infecting the entire track through long breaks, while synth strings generate waves of tension in the piece. b-side comet is build around a big round bassline and concret noises that give the track its organic motion. the melodies of the track seem to come out of a fairy tale, dreamy arpeggios that defy the laws of gravity.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

the first mobilee release for 2012 is by an artist who through hard work, passion, and an unwavering dedication to his craft, has garnered wide international recognition from the music industry over the past ten years. sean millers debut release with the mobilee camp, was his successful cmon thats it on leena earlier in 2011, and now he brings us canibal royal to be released on mobilee records as he simultaneously joins the mobilee booking roster! his previous productions have found their way on some of the leading labels in dance music today steve lawlers harlem and viva music, audioflys supernature, nic fanciullis saved records and 2000andones area remote. for canibal royal, sean has worked with live musicians and instruments to create a genuinely vibrant south american carnival flavour. on the flip, soleil creates a calmer mood but still with a strong summer vibe. enjoy.

played and supported by len faki,adam x,lucy,perc,shifted,norman nodge,and,truncate (audio injection),samuel l session,jeroen search,dino sabatini,electric indigo,obtane,cedrik,dadub,bcr boys,ascion and more.there are artists who have the ability to make metal and industrial whatever they touch. the ability to live through their music, post-nuclear atmosphere that suggest a distant near future. shapednoise was chosen for this! he is the artist of second vinyl (vinyl only) of the label personally managed by freddy k. already his first productions on his repitch (with d. carbone and ascion) and other labels, have demonstrated the value. the young artist here shows two devastating tracks.

the sixth field 12inch presents four of the most outstanding dutch artists on one ep, namely delta funktionen, rod, mark du mosch and roberto auser. the end result is an abstract trip through the deep fields of ambient, house and stripped techno.

andre lehmann with his project audiopunkz is back on his mother-ship damm records. he starts his flight on the sublabel m.m.a.d with 3 burning rockets + ko kimura rmx. ...enjoy this flight through space and time...

far out recordings celebrate a funky south american christmas with the release of a special and very limited –, to just 100 sets worldwide –, edition heavyweight vinyl lp double pack from the labels two biggest artists azymuth & banda black rio. their albums were two of the records of the year in the latin / funk / dance / world market and here the perfect combination come together to party through the end of 2011 brazilian style. presented together for the first time this quality package of legendary artistsl, brilliant acclaimed new recordings and stunning reversible artwork (azymuth by andy votel and banda black rio by paul flack) will become highly sought-after as with far outs previous exclusive, limited five seven inch vinyl set for record store day.

the four tracks of the ep >musica< by dan caster lead us through special and powerful sound deep into the dance floor. remixes you ll get by dapayk and sascha braemer.

the epic journey in the world of techno continues for mkt and his founder markantonio, publishing a new strong tune remixed by two italian artists, luigi madonna and ndkj. first one musically born in the neapolitan school and forge his own sound through markantonios labels getting a great result. andrea quirico a.k.a.ndkj is an established producer which boats a number of successes released by labels like holzplatten, polar noise and his label heatflow.

studyman gives us his definition of minimal techno through decabarets third release. pushing forwards the standards set in the early 90s by some detroit pioneers studyman developed his own style that will stir things up on the dancefloor. four proper techno tools in the vein of robert hood and early jeff mills.

the collective keeps it rolling with a new release featuring chicago and new york artist as a united front to destroy dance-floors through house and techno tunes. advancing through the ranks of the underground with 4 unique tunes that are quite deep and worth a check: featuring g. marcell, dakini9, kuru aka dj spider, and hakim murphy.

excellent 4 track vinyl with fantastic deep house. it gets started with >spring loop<, a track that looks to its name both for feeling and production sense. of course that sensuous vocal sample that gets drawn through it wouldnt do the job on its own, but rau knows that too and surrounds it with a warm, humid bassline and his always changing and snapping drums to keep it in the pocket for the whole 5 minutes. even though the groove on the a1 is already heavy for him, he goes deeper yet with >swearing (vinyl version)< that jamaican vocal is something so classic that we wont spoil it here, but the pumping house beat and piano stabs he winds around it give even more poignancy to the lyrical substance… we are pretty sure that by the time he finally echoes the vocal out late in the track there will be some hands in the air for this one

another big remix package from ism, who continue their homage paying endeavours for legendary nyc disco troupe odyssey. this latest 12 inch sees remixes from faze action, toby tobias, leftside wobble and ron basejam. opening proceedings on the a-side you will find faze actions thumping proto-house version of >going back to my roots< - this one is made for sweat-drenched sunday nights at horse meat disco! mr tobias goes deep on his version of >o dj ko<, with the swampy bass, echo laden vocal cuts and bleep-fuelled melody a pleasing contrast to its raucous predecessor. the two remixes on the flip maintain these lofty standards, with soundcloud don leftside wobble turning in a twinkling refix of >lonely star<, while crazy p man ron basejam turns >aint no dubbin us now< into a beefy, conga-led traipse through shimmering, balearic soundscapes.

it might seem odd for a band without a full-length to enjoy this sort of praise. but escort is definitely not your typical band. escort is big. literally. the seventeen-member disco orchestra, founded by producers eugene cho and dan balis, and fronted by lead singer adeline michele, features an incredible cast of musicians who have played with everyone from indie-rock titans arcade fire to avant-classical luminaries alarm will sound. scissor sisters frontman jake shears recently described escort as the >best disco you have ever heard<. he just might be right.

next detroit influenced techno - techhouse bomb on thoughtless music incl. huge someone else remix. don not call it a comeback: philadelphia techno legend and 611 records founder nigel richards drops three tracks of abstract late night warehouse music with his debut release on thoughtless. the title track works a chugging low-end and insistent percussion which combine to propel it through a vortex of intergalactic analog textures. taking time out from his busy release schedule for foundsound and little helpers, fellow philadelphian someone else turns in a deeply hypnotic rework that brings reverberant chimes to the foreground atop a bass line that refuses to quit. >deeeep< sees mr. richards exploring further regions of uncharted space by crafting a sleek techno vessel out of thick bass slabs and quicksilver high-hats, pushing forward as all manner of nebula and supernova stream past at light speed. one of the most influential names of east coast techno is back with a vengeance - fasten your space suit for zero-gravity fun...

rounding off what has been a busy year for idle hands comes a 12 inch from west country residents outboxx. this duo, comprised of jacob martin (aka hodge) and matthew lambert have steadily built a reputation for themselves with releases on well rounded and immerse. moving away from the dominant trends in bass music the pair have been forging a sound more akin to early nineties deep house - yet retaining a palette of 2011 sounds. here they present two tracks - >aporia< is a lesson in wistful house, all pianos and a sneeky bass drop half way through the tune. >cromwell< is a straight ahead house roller, but with enough sub to keep the bass enthusiasts happy. support so far from ramadanman and sven weiseman.

hugo barritt was a promoter at londons infamous egg venue, during which time he focused his attention on robert owens residency at the club. a friendship was struck up and when hugo finally decided to leave to concentrate on production he could think of no-one better to provide the vocals to you are than the most recognisable voice in dance music, mr owens himself.befitting such a wonderful coupling, efdemin heard the track and agreed immediately to provide the remix,and a splendidly slick ride it is too, taking the merest hints of roberts vocal whilst injecting a melodic feel for a blissed out ride through the early hours. contrast that with high octane thrills of murmur regular tom demacs remix - dispensing with the subtleties of the original in favour of a power house ride of beats and bass, warping roberts vocal into something altogether sleazier.

continuing on his intergalactic journey traversable wormhole now enters into the portal entitled volume 9 >world line< is a hypnotic dark tonal 4/4 deep bass driven affair thatm intensifies in relative velocity as it travels through four dimenisional spacetime. switching back momentarily into the third dimension we enter into >present hypersurface< a punchy percussive broken beat affair layered spacial droning string tones & melodious thick analgous white noise. in question now is if the present is the past and or is the future the present and when if at all does it end?

the man whos seen it all, thats terranovas fetisch, but he had it coming. as punks earliest and certainly youngest adopter, he strolled through late 1970s berlin, then moved to new york researching the first symptoms of hip hop, only to find himself being a many clubs resident dj in london at the end of the eighties. enters terranova, shrouded in mystery from the very beginning, fetisch‘s go-to project, that he originally conceived in 1996 to explore new club territory, and that has since built its very own cult following. kompakt truly feels honored to be the new home to an artist with such a rich background in club culture, especially as terranovas latest incarnation includes berlins house staple and boywonder &me as well as guest singer khan in his preferred role as the longest running hype in the history of underground awesomeness. consequently, it is with great poise that the trio‘s latest 12inch >so strong< commands its army of listeners to the floor, not unlike terranovas first outing on kompakt, the confidently named i want to go out. both the title track and epic flipside boogie for the dollar make up for a double headliner that takes you on a beguiling trip to the dark side of the club. no only do terranovas sequencing and beat programming deliver in spades, the package also sports some of the best vocals khan has churned out to date, featuring his trademark fusion of cool indifference and pure sleaze: >i give myself up to your splendor... so strong.<

nico stojans last release on upon you was a collaboration with the cheapers. before that, he had his debut on uy together with pele. now, the former hip- hop producer, took the streets of spain all by himself and brought back an endotherm tech-house breeze to blow-dry our backstock catalogue and in wich we can preserve our summer memories in- for the cold days ahead. not only wants the namegiving a1 of the uy054 to dancingly dig itself into the sand-beach… eaven the b1 ttitle quiet now is wearing bikini-fashion. for those who like to withdrawel in the winter into steaming halls will be gratified by the remix from hektor. the born mexican which found his way through london into berlin is turning the focal point from quit now into the direction main stage and lets the base drop. for the digital delights in life: nicos track dusty fingers is ready to be downloaded- also a consequent techno-remix from meyerdierks.

the original horsemen concept was initially conceived by 4 minds coming together through one unifying vision. those minds were of: ink, loxy, keaton and dylan. carving out their own unique take on drum & bass. fusing together specific elements that would form the fundamental cornerstones of the horsemen sound: raw original sampled breaks, heavy sub bass and dub elements. this style and concept has since seeped into the consciousness of a new wave of producers across the globe and has influenced and evolved into the sonics presented here on this album. ink and loxy in conjunction with renegade hardware are proud to present: horsementality...
dj support: ink, loxy, cern, marky, alix perez, spy, btk, optiv, sabre, bailey (1xtra) , flight (rinse fm) + many more.

supported by: lauhaus, boris werner, nick curly,federico molinari kabale und liebe,nekes,johnny d,sascha dive,2000&one,markus fix,dj wild, chriss carrier,ilario alicante,martinez,loco dice,mathias mayer,brothers vibe,karotte,tanzmann matthias kaden,raresh,robert dietz,reeboot,anthony collins, vera,ray okpara

funky 3 track 12 inch by rondenion from japan. i find a deep house sense of personal understanding and growth through my production ...

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco vol.11,its love on wheels, glides around the rink on a skate odyssey through boogie, country, deep house and new wave on a cosmic bent. with tracks by cole medina, yves saint laurant, anthony mansfield, disco tech and tres gueros. lace up your skates and hold that special someones hand for the next couples skate because, its love on wheels!

first time only on decks.de !!! gianluca meloni - ostinate sin (original) - solid track, no mercy, obsessively sinusoidal but with intense harmonic colors growing through infinite, showing gianlucas long experience as musician and producer.
gianluca meloni - ostinate sin (dino sabatini remix) an erupting volcano maybe is the best way to define the crazy rhythmic of this remix, killer dynamics bass frequencies and psicoharmonic filter treatment over noise generated percussions shifting sound perception, to be used with care, to avoid dancefloor explosion!

last release of the year for crosstown and what a year its been and what a release to close the year with! guti returns to the fold alongside fosky, armed with a martinez brothers remix. the > step ep< is something special for christmas, which youll be playing all through next year (2012). its simply outstanding

2011 has seen a string of stellar releases from the dynamic force giving house music a new accessible heartbeat, mario & vidis. now, ahead of their album set for release in january, the >changed sampler< lands featuring a dub version of future classic anthem >changed< and three additional choice cuts. an apt advocate to the new age slow house sound they are making their own, mario & vidis will fully unveil their masterful debut album >changed< this coming winter but here lies a taste of both proceeding discs. a prelude to the wide musical terrain these lithuanian scene pioneers are striding through, the album sampler captures a glimpse of the epic soundscapes, hypnotic pop melodies and ghostly soul that ultimately leads into raw house on disc two.

thomas hesslers ep is the first player through crepuscular shafts & sonic subways.. beware the trail. first track - lost - cements you into a vacuum of suffocating synths that precede a poundin kick.. you are propelled into a tunnel. the bridge of the track is a course in restraint, giving way to menacing drive & looping side sticks.. siren like washes takes hold, swirling & disorientating the listener. on the flip, - 12 channel madness - best conveys the tone and atmosphere of the release. the murky darkness & pace feels inhuman to the core, but not without infectious rhythm breakdowns with flavors of old & nu skool shuffle timbres. these tracks are also - tools - that do not sacrifice on complexity. the haunting synth washes carry us through but offer no comfort. insanity & intensity reaches catharsis but never overpowers the overall mix. - berlin movement - is the final track on the ep that affirms you are still inside the tunnel. the incisive hook lines impel you to find your way out. the kick is more subdued forcing you to go with the melody until the break & bridge lapses back & the restraint builds to hypnotic frenzy. a dry, howling wind prevails.. filtered and distorted. thomas hessler succeeds in taking us through his tunnel of contradictions: alluring, menacing, emotional yet coldly detached. listen up: you might not escape !
words: livia terri

relativismi is the latest three track release from sonic groove artist dasha rush. side ways is a percussive industrial tribalesque groover that grinds it way through the airiness of droning soundscapes. relative perspective is a beautifully crafted deep hypnotic journey which will surely conjure up many a thought about space and time. ending this chapter of relativismi is dark light blind an eerily brooding acidic mind warper that leaves the listener wanting more and more. dasha delivers here with another great and very original sounding release for sonic groove.

this is the virgin record on downfall theory, a new st petersburg imprint serving as the creative outlet for the persuasions and productions of discerning dance music sanys etiku. side a is a full-on entanglement of sandy synths, cell-block stabs, a murderous midpoint bassline and hats slammed through a sieve. this track will twist your face played on a real system, even if you don’t realize it happened until you see the party pics posted online. b is a solid brick of overpowering percussion pressed into an intoxicating terrine of implied melody so irresistible you will eat it raw. no mistake here. these are ensanguined techno tracks built for barbaric djs simply looking to smash your face.

phuture shock musik present their 5th release, this time procuring the reliable talent of one of the most slept on producers in the world of bass music - that is simon/off. those in the know will be aware that the austrian native has been simmering in the underground for quite some time now, having laid the groundwork through early releases on haunted audio, a noteworthy ep for immerse records, and further contributions to several other smaller labels. this latest plate by the name of >planetary communication< ep finds simon/off leaning more towards his techno and broken beat side, which has of late began to flourish in his recent productions, and consists of three well crafted afro-tech riddims oozing weighty low-end frequencies, funky drum work and finely detailed percussion. widespread support on sub fm, and increasing support from several other major players in the underground bass scene.

although relish compilation 3 marks the third compiled label round up for headmans relish recordings, it is a compilation only in form, it has been constructed out of new tracks very much in the guise of an album. in label terms it highlights the new artists that have been unearthed this year – jr seaton, andreas esu, hannalelauri, daniel avery, international, montevideo – and presents them alongside new tracks from headman. ep 1 starts on side a with hannulelauris europa, a strict reverence to europes dance legacy. then it slips on into a quick thrust 808 funk of headmans latest be loved. be loved features the vocals of belfast singer rosie blair from the band boy of girl. we then glide through the straight chicago cut of andreas esus dance in space on side b and popping nrg/italo from chmmrs collaboration with glaswegians, a strict reverence to europes dance legacy.

william anthony bois was born in stockholm, sweden, in 1991. he expressed an early interest in music, especially electronic music. whilst william demonstrated a natural tallent for piano composition from an early age, in 2003 he began channeling his creativity into house music after a friend introduced him to fruity loops. early street dancing lessons introduced him to funk which has been a source of inspiration ever since the age of nine. he continued the dancing with the dance group funky 4 brothers and has performed around europe and sweden. william also studied music production and sound engineering at sixth form college. this background has given him a firm foundation from which to express his music through a variety of rhythms and tone that give his music an individual flavour.

no doubt, daniel herrmann alias flug 8 does polarize. the principle he follows through all releases during the past years is an atmospheric melancholy that has got to fascinate. tuning would not exist without detuning, and a mood is a mood. this may be understandable easily. however, those who get into his music can expect much more from it.

originally recorded in less than a week, the fun and moxie will hit you with every beat of >better living through chemistry<.
released in 1996, this is the first full-length album norman cook was to release under his successful moniker fatboy slim. fuelled by his signature big beats that would come to dominate the 90s dance scene, sprinkled with acid house bleeps and squeaks and heavily sample-laced, >better living through chemistry< proved to be just the tip of cooks proverbial iceberg.
re-issue on audiophile 180 gram heavyweight vinyl.

the serialism crew is back with the second installment of their london cuts series. picking up where vol.1 left off, vol.2 calls on a slew of talented label veterans to guide us through the many corridors of house music. first up cesar merveille delivers kevs a deep tech-house tune that builds and builds with just the right amount of sex appeal.up next safari electroniques main man arnaud le texier drops then youll love a hypnotic groover punctuated by percussive stabs and atmospheric keys.

look sharp. kap bambino is a stampeding punk-rock juggernaut,and its hurtling this way. unlike most assaults of lawless rock n roll ideals, its not powered by guitars,or rather any live instruments whatsoever. the empowering eruption of frenzied discordance, space invader sucker-punch beats and caterwauling incantations conjured by the bordeaux duo, caroline martial and orion bouvier, is the result of harnessing the unruly spirit of bands like suicide and nirvana, then feeding it through a tangled web of samplers, synthesisers and software modules. the result is a more immediate, more kinetic and more inspiring show than your likely to witness from any of the baggy-shorted buffoons 2009 tries to throw up as punk-rockers.

after growing up in a record store, facilitating to develop the sound of mos ferry prod. and launching his own label clap your hands marcel knopf is big in business now! so it was time to spent some hours in the studio again in between all his touring through germany. and up it goes! with the club smasher command knopf blows some ears away and leaves the crowd in disbelief. aint love joins the dancefloor as well as it is the typical knopf-alike oldschool frickel-house. the digital bonus track sacritool represents his sound orientation on clap your hands - modern, tooly deephouse!

first available (full stock) on decks.de !! turkey based ugur project is back with an outing on polluted records. following his success in music production and remixes he is pushing us through the house music boundaries, with four new original titles on esta si esta imprint. the sound choice on the track esta si esta follows through a nostalgic old skool house as it magically transforms into todays deep and chunky style. drop down house bliss, which will be later followed by a remix on digital by sossa, always on polluted records. the use of techno drum kit on the track magic drops fused with vocal snippets and synthesized voice over conversations is a journey into the future sound of tech house whilst on the track quadriga the rolling congas and base line are impeccable as a groove. the last track sudden music does just that, as suddenly a solid grove and synth pads becomes the explosion that rocks the body of all house music junkies.

romulo del castillo and joshua kay are phoenecia and they emerge from their long march into the aural wilderness of miami with good man bones ep, five new sonic tapestries heavy with rhythm and rich in visual detail. screen print colors with hot green/brown vinyl. this mini lp serves up an offering of selections from the full-length demissions - both made available through a unique collaboration between detroit underground and schematic. limited press.

morgan geists project storm queen marks a return to his roots with an analog approach towards modern house music with a disco pedigree. >it goes on< features the vocal talents of damon c. scott and is the perfect follow up to storm queens debut of 2010, >look right through<. an underground hit featured in countless radio and club dj sets and charts, >look right through< was licensed by defected records and will be released in a remix package later this year. storm queen physical releases will be limited-edition 12 inches only. storm queen is made for djs, but doesnt sacrifice atmosphere and songwriting. storm queen owes a debt to classic house music from new york, chicago and detroit, as well as disco and boogie. storm queen is a leap of faith.

originally released through peacefrog in 2000, the tracky, tripping metallic thump of function 4 is a great early example of slaters pioneering droning, mesmerising musings as p.a.s. this is the 1st episode.